Editor Benny
I cut documentaries, brand films and social content that people watch all the way through.
Start with these.
The big ones. Brands you know, rooms with a lot riding on them, and films for the Federal Government.
That's the short list.
There's a lot more. Pick a room.
All films
For brands and the
people behind them.
Curated by Editor BennyNames onmy timeline.
From the Federal Government to the drinks in your fridge. Open any folder to see everything we made together.
Nobody remembers the cut. They remember how it made them feel.
Ten years of editing, and that is still the whole job.
I don't cut to show off. I cut so the audience gets it.
Storytelling isn't about effects, and it isn't about impressing the client in the first review. It's about understanding what the client is really trying to say, and how they want their audience to react when the film ends.
So I listen first, then I shape every frame toward that feeling. The music, the pauses, the one shot you didn't know you needed. If you notice my edit, I've probably done too much.
I got tired ofthe same clicks.
So I built EditHive. Editing software made by an editor, for the part before the cut. It works inside Premiere Pro and DaVinci Resolve.
Visit myedithive.com
Tell me what you're making and how you want people to feel. I'll come back with a plan and a quote.
Made for the scroll.
A few favourites. The rest are waiting in the feed.